artist
statement
The
language of my work is a synthesis of images from dreams, primitive
cultures, and history. The ideas are of a personal, speculative philosophy
that is based on intuition, observation, and experience. My sculptures
and paintings often appear bent on the elemental, religious, and macabre.
They avoid any direct references to mythological narrative but are manifestations
of what I call, paradoxically, subjective archetypes.
Much
of my work is characterized by its symmetry. This is largely the influence
of religious symbols like the mandala, Star of David, and crucifix which
I believe to be archetypal in form or at least make reference to this
phenomena of the subconscious. I compose my work with a near perfect
religious symmetry but always deviate from this impulse to avoid implications
of catechism. Instead, I "humanize" the figures by depicting them starved,
missing heads, limbs, or covered in indecipherable language. This prevents
my work from functioning as symbols or decorative objects. The work
then becomes a tangible poetry that speaks of one's participation in
the enigma of the human story as a human, not as a personality or individual.